seryn: fountain pen nib (screed pen)
It was an interesting drive home from alterno-knitting tonight.

alterno-knitting explained )

It was interesting because of the musical selection. P!nk's "Raise Your Glass" then, due to a station switch, "Truly Madly Deeply". One of the reasons I rarely listen to music is that it's an unfiltered external emotional influence. Meaning that I can be dramatically depressed by the music or uplifted, depending on what plays and my interpretation of it (which isn't filtered by current emotional state; it's fixed, often upon first experience of the song.) "Raise Your Glass" is one of the songs I added to the list that should be played at my memorial when I die. If there is any sort of memorial, which I can't honestly imagine needing since I don't know anyone locally really. And all of you who are far away shouldn't fly across the country after I'm dead. The other song says love can be killed by the sky falling. Even metaphorically extreme love that sounds really creepy to me now and probably should have sounded terrifying when I first heard it but did not.

____

I'm attempting to wade through an episode of Body of Proof. It improved after the first few episodes. We see a lot less of the main character obsessing on the idea that motherhood should trump being a brilliant surgeon and saving people's lives and we've mostly gotten past the idea that she deserved the lame things that happened to her for being a crappy mother. I won't argue whether she was a crappy mother, but the girl had a crappy father too... they were both totally obsessed with careers and one wonders why they had a child neither of them appears to like very much. Most of the whole first season was devoted to ironing that issue out. Now that they actually share custody, and the daughter chided them on being a lot less mature than she was being, it's almost gotten back to being about the science. But it's not as logical a progression nor do we see the intuitive leaps they make to formulate a new theory to investigate. It's obvious that the plot is just there to allow the show to be a soap opera for the characters. I prefer my "science is awesome, look what science can do!" shows to actually show the science, like have smart people writing them and actors who can pretend to be smart (read the continued Bones related rant) ) So it's hard to want to watch the show even though it's not awful. There's this huge potential for it to be amazing and I keep watching in case it becomes so.

I'm still watching Glee, but I'm having trouble imagining that it's not supposed to be entirely tongue-in-cheek. Everyone fits so specifically into a stereotype that I'm wondering if Jungian psychologists are spooging themselves during every viewing. I'm nearing the end of the first season when the dim but loveable football hero sings "Jesse's Girl" in response to an assignment to find a song that expresses their feelings. That was when I realized the whole story arc where the main girl's paired with a competing love interest... the whole thing was a setup from the get-go. Otherwise they wouldn't have named the character Jesse. The entire point of the character, the whole love triangle/pentagon stuff, everything we've seen about this, it was all leading up to the dim dude singing Rick Springfield's "Jesse's Girl". It's a shaggy dog story. It took 7 episodes and there were a lot of red herrings but in the end the whole thing is a humorous punnish punchline that should have been obvious so everyone watching then groans. Only no one who watches Glee seems to realize it was a joke. I'm ashamed to be enjoying this because no one seems to be laughing, it's like Glee fans are too stupid to get the constant joke build-up. So what does that make me? Normally I take all humor as serious, because I've missed the hook or I don't see why we should be laughing at someone who is socially disadvantaged. Normally most people think I have no sense of humor. So why am I the only one who sees that the writer's naming the new guy Jesse was intended to allow them to springboard into using "Jesse's Girl"? Why am I the only one who was laughing her ass off about this having been designed into the show?

I've been watching Finder. It's okay. I'm still a bit freaked about the Willa actress looking so much like the Zoe Carter character from Eureka. (They are different women. I checked.) I was so glad when they got rid of her because the actress looked too old to be the actor playing her dad's kid. When I checked the Eureka actors' bios, that was actually true. So now when I see someone who looks like one of those actors, I'm still thinking "underage" and "irresponsible". Which isn't fair since Finder has a completely independent cast.

I am horrified by the whole "virginity is awesome" slant that too many shows and books and movies are taking. I admit that I'm skeeved when I read about 13 year olds having sex in novels, and even when they're 17 year olds because I've met 17 year olds in recent years and they're like the 13 year olds were when I was 13 because no one seems to expect their children to actually bear up under any sort of responsibility so they don't get to make any decisions or live with any consequences, which means, honestly, I'm skeeved when they make decisions that have consequences. But I don't like the idea that women should be pristine. Too many shows on Fox have this slant. It's enough to keep me from watching things on that channel.

____

I read the Amazon customer reviews of the Touchstone series after I read the third book. I'm really offended by the reviewer who said that the series improved after _____ happened. 1. It was a massive spoiler that couldn't be hidden---- it's one of the blatant reviews on the page and the spoiler is before the normal cutoff for blurbing--- 2. I completely disagree and thought the whole ____ was a plot device the author pulled out of her ass because she couldn't find a happily ever after ending within the framework set up by the first book so she had to force the entire alternate world she'd built to conform to what Earthlings would expect a HEA to resemble. 3. the _____ was honestly the result of a completely appalling situation so liking that as a plot element was sickening.

If you want to know what the ___ was. Read more... )

It doesn't jive with our introspective main character who philosophically argues herself into helping people fighting a war. It was the philosophy and the thinking that interested me in the first book of the series. I was interested in the philosophy and the thinking in the second book too, but the more the main character was able to communicate with her new language skills, the less thinking she appeared to do.

media stuff

Oct. 8th, 2011 09:18 pm
seryn: fountain pen nib (screed pen)
Just watched the second to last Matt Smith-- Doctor Who episode. Ghastly. If I'd only seen this one, I'd have never watched another one, ever. They just managed to get rid of the latest stupid bimbo and they roll with..... a baby.

The whole show is annoying, firstly because of the time travel. (But it seems unfair to complain that a show whose entire premise is time travel has time travel in it. I still think it's a lazy-ass device that science fiction writers use as deux ex machina and in lieu of a comprehensible plot.) But also because The Doctor himself is irritating, in every incarnation. And finally because all the companions are completely idiotic. I realize this is playwright technique... bringing a sidekick who requires things to be explained thus giving an excuse for exposition, but I have zero respect for The Doctor because he continually chooses his companions the same way people choose to keep a kitten left on their doorstep--- "Gee, it's cute and it's here so it knows me!"

___


I finished all the PD James things that Netflix had available streaming. I really enjoyed them, but not as much as the Martin Shaw casting of Dalgliesh. They tend to ramble a bit. When I had trouble sleeping due to the endless coughing, I put the earliest ones on and let them play. I couldn't stay awake through them. Several of the multi-episode stories I watched the same episode 3 or 4 times before I managed to be awake through enough of it to follow along.

I also watched "Is Anybody There?" which was a movie with Michael Caine and some kid. Firstly, the title was a mismatch. When they did the line that should have represented why they called it that, Caine's character said, "Is there anybody there?" I hate it when the title doesn't match the story. I know that's a stupid complaint. The movie itself was about a kid whose parents run a nursing home and the kid is unhappy about it and becomes obsessed with ghost hunting because he keeps seeing people dying around him. He befriends Caine's character sort of, in that haphazard way that children have, then the movie ends. I'm not really sure there was a story there, but I really enjoyed the movie regardless.

I also watched a National Geographic show about the backstory to Lord Of The Rings. It wasn't as good as the other one I watched... No idea which was which. But this one had a Finnish rune singer but still managed to gloss over the linguistic developments Tolkien recreated. Why would they do all that research and not talk about the results? It was just weird. Like reading a children's encyclopedia from 1980 instead of using Wikipedia.
seryn: fountain pen nib (screed pen)
Let's see.
I've been watching Doctor Who. Which I enjoy for the writing especially the dialogue but which I dislike for the premise and for the chick. I'm watching from the Netflix Streaming and we've just finished "Amy's Choice", thus my several previous attempts to talk about this devolved into ranting on a well-trod train of thought.

Glad Burn Notice and Leverage have returned. The Summer season of shows are actually better than the traditional networks' shows, and they're not bitchy about re-showing them and having them available online. (I'm talking to you Mentalist.)

---

Bought some k-books that had been in the wishlist for a while. Bianca D'Arc stuff mostly, Samhain published. I have really liked some of her stuff but what I got wasn't that great. Maybe the other stuff was only good because it was longer? I started with the shorter ones and they're novellas seriously lacking in plot. They pretty much have one crux and then it's just sex. To me, the definition of a one-shot story is when there is a single issue to be resolved, regardless of how much other padding is included. So although they have some length, I consider them short stories and I am fairly disappointed by the value.

Rare Vintage was a disappointing vampire story because the plot involved completely stupid choices on the parts of the central characters. And if they're really that stupid, how could they possibly have survived for centuries? But the real kicker is that it violates my inherent rational for loving vampire romances. spoiler ) I might have liked it more if the vamp in book 3 of the series hadn't made just a cameo appearance.

Warrior's Heart, eh. I don't much believe in "boy comes home from the war to marry the girl next door." But assuming I can suspend that incredulity, this is a superhero origin story book. You'd think there's nothing not to like there, but you'd be wrong. Because A) the author didn't spend any time on that aspect despite describing the locale distinctly and B) there wasn't any focus on the hero and how he's learning to use his powers. There was a lot of sex in it, but not a lot about the heroic stuff. The heroic powers were kind of weirdly assorted too... If you take your standard Justice League characters, you don't give someone a magic plane and super speed because that's just dumb. You don't take someone whose powers are activated by proximity too another and forget to add the other to your lineup. Neither of those were what the author chose here, but the combination is equally idiotic. spoiler )

Again my problem with Warrior Heart though is that there's very little plot developed in advance. The heroine tells the hero that she's "safe" when he asks her about condoms, but doesn't explain. When later it turns out she's had a hysterectomy, the lack of foreshadowing makes that seem like the author was throwing textual spaghetti against the ceiling of her story and seeing what would stick. The actual origin story for the superpowers is kind of offensive to me spoiler ). So, overall, this was a potentially interesting series that was so badly written that I cannot accept it as the reader.

Damian's Oracle (free) by Lizzy Ford was better than the two D'Arc books I bought. But the other Lizzy Ford that's free, "Mind Cafe" (it's a short story, but the line between those is really blurry to me now that I read them in the same media context and they cost the same) is horrible because there is no plot what so ever and it's angsty for no reason--- as in since nothing is considered or resolved it's just there to twang your heartstrings and make you feel sad just in case you don't have any pain in your idyllic life [you motherfucking asshole]. I hate stories like that because it's just a giant bitch-slap from the author. Even though I would like to read the sequel to the Oracle book, I might think twice after reading the short story.
seryn: flowers (Default)
There really must be something wrong with my taste in entertainment lately.
I go from TV to obscure fanfic. )
seryn: flowers (Default)
You know how there are people who are fans of Twilight? I didn't really like the story once I thought about it, but it was catchy while I was reading it. I didn't want to put it down. Even though I was more than a little appalled by the characters and the behavior and the situation.

Harry Potter was catchy like that too. Even though when you thought about it, there were gigantic gaping problems. Like 70% of the characters are male, like 10% of the incoming class with Harry were muggleborn--- and no one even thought to put together an official orientation? (Not to mention that it must have felt like Arizona citizens feel.) And like there really doesn't seem to be much rationale for Harry wanting to save the kinds of people who abused him as a child. ---- But despite all that, the first book was this magical experience where there was a brand new world, a world that exists to rescue abused children from their torturers. I, and seemingly the entire world, wanted that to be real. By the fourth book, I'd lost that wishing. Of course if it's a series, they have to pull in a bunch of nasty garbage. No one can ever create something nice without it being torn down by people who can only see artistic vision in the diseased and poisoned ideas of the world.

I watched 20.75 episodes of Veronica Mars in a short span of time. Before this I knew only that it had inspired rabid fans who were outraged that there were people who weren't gung-ho. I knew it was a show on Fox and it was about a blonde teenager. That was it. But it showed up on Netflix streaming, so I added it to the queue. When I started watching, I was interested by the first episode. By the time I'd watched the fifth one, I was hooked. The episode where Logan saves her captured my heart. I wanted that, right there, when an angry guy who blames a girl for a huge tragedy, steps up and is her hero when she honestly needed him. That's what I wanted to believe could be true.

I was so disappointed when the end of the very next episode has Veronica taking the word of a sleezebag that Logan's actually evil. She'd known he wasn't exactly a good guy. We'd seen that. We'd all seen it. But somehow he stepped up and was a man when it counted. Even with all the drama between them. Even though Logan was still hurting over lots of things. Logan's definitely damaged goods, but he was the hero. And she didn't believe in him. For Logan to have saved her, that was not just teenage-guy apathy to overcome. He actually hated Veronica. He'd actively hurt her in the first episode we saw. She knew he was a jerk. He overcame all of that. She'd known he was damaged in fundamental ways and he'd overcome that. And she didn't believe in him enough to even call and say she needed a bit of time.

I'm having a really hard time watching any more now.

--might have spoilers and goes on for a while-- )
seryn: flowers (Default)
I watched the Veronica Mars pilot episode this afternoon.
Read more... )
------

I'm almost done with season three of Doc Martin. I've seen most of these already because they were on PBS. But I was missing 2 of 7 (non-consecutive episodes) so it's been vaguely helpful to listen to them while doing something else.

Unfortunately I was attempting to do some complex knitting and had to pull it all out again plus some that had been good before. I shouldn't have assumed I was awake enough for that.

---
Kate Daniels #4 or How I hate Goober Peas )

----
tv tivo cable broadcast... all making me unhappy )
seryn: flowers (Default)
I made mocha tonight. It didn't suck.

The mocha used the last of the imported cocoa from Trader Joes--- from back when they used to actually sell things that weren't store brand shit. I lived in Chicago. Trader Joes is now the Aldi of the West.

____

We attempted to watch the new series The Gates. It's horrible. Bleah. I'm not sure how you make werewolves and vampires banal, but they managed.

We also started the other new series Haven, which is only watchable in comparison. It feels like a rip-off of some other show. Probably that means it's a combination of several that I've seen.

Tonight's (well, the most recent) Leverage was oh-so-close to being awesome. There was too much magic handwaving in the plot. We didn't understand what happened in several scenes and didn't understand what they were going toward. Obviously being kept in the dark was part of the intention on the part of the writers because they had various characters in the show saying they didn't get it either. And this deliberate confusion is better than the previous episode where they flat out deceived us by clipping out an essential part of the scene just so they could show the audience that there really was a man behind the curtain at the end. So... we've been ticked off at the low quality plotting in recent Leverages and tonight's low-quality plotting is nothing new. But it was an Eliot-episode. Those are always a step up for me. [For later reference, this is season 3 episode "The Studio Job"]

Over the weekend we watched a Jackie Chan movie, The Spy Next Door. My SO likes Kung Fu movies and Three Stooges. (I think he must be working too hard.) This movie really suited him. I thought it was funny. The only thing that was completely unbelievable is the motivation where we're supposed to believe this kind-of decrepit looking old Chinese guy really loves this blond woman who looks maybe 30 and who has 3 kids which she fails to effectively parent to the point that they actively hurt the elderly neighbor man and the woman just smirks. It was really similar to a Vin Diesel movie, The Pacifier, but that one was better.
seryn: water drop (crystal ball)
Okay, what's going on media-wise?

book: Changes by Butcher )

book: Death Blows by Barrant )

tv: Bones )

tv: In Plain Sight )

dvd: Man from UNCLE )

* I have an opportunity to see Avatar. Am I interested?

tv news: TDS )
seryn: flowers (Default)
I finished the second book in the Lackey & Mallory trilogy To Light a Candle. It was decent but a little disjointed in the plot thread transitions.

I half-watched my third episode of Valentine. I didn't bother beyond skimming and canceled the season pass to record more of it. The final nail was the woman screaming during the fight she's witnessing and being the crucial distraction. Also the writing is terrible. I gave it a real chance because the first one I saw was only a little trite. Unfortunately that one was actually better than average.

I also did not watch the new HP film. Probably won't bother. I think they forgot that these films are supposed to tell a story. The films have never really captured the magic of the books to me. Of course later books stopped capturing any magic for me either.... imagine they have an entire magical world, children are learning magic... and a whole book is about a sports event. Then the next book where children at a school for magic have to teach themselves. It's not reasonable for me to suspend my disbelief while reading. I'm sure as hell not spending the cost of the whole DVD for a ticket to see the movie in a theater. I did hear that Tom Felton doesn't suck. So at least one of the children learned to act after 6 films. Hopefully someone will find him a real acting job with actual professionals writing and directing and producing something worth watching instead of the half-assed trash the films have been compared to the books which started to read like they were pulled from someone's ass anyway.

Watched another Eureka, still squicked by how the main character's daughter meant he knocked up his wife while he was 17-- no freaking way that should be shown as a role model. And I'm really tired of the clueless dude stumbling through his professional life and accidentally making good... Mr. Magoo was offensive 40 years ago, we don't need to replicate it again.

Still watching Castle. I like the ultra short intro (5 seconds, just an animated logo). I like the writing too. I really wish it wasn't set in NYC.

Oh. we watched something new that was supposedly set in San Francisco. Everyone was all kissy-face when they meet new people. That's very East Coast formal or Hollywood. If a couple is meeting another couple for dinner, they don't kiss cheeks. At least not around here. And San Francisco... I cannot possibly imagine they would do gender separated cheek kissing... f-f m-f, m-f, then nothing for the m-m. I really really don't imagine that working out there. So a) not for anywhere outside the Hollywood crowds b) not gender-specific only c) looks really NYC. I found that it seemed really unbelievable. There have to be people who know stereotypical actions that signify regionality. NYC-set productions always look really NY. Hollywood-set things always look Hollywood. Miami things look Miami (though that's largely the scanty costumes). Movies set in Chicago always seem populated with the kinds of people I met living there. It really bothers me when they take NYC people and tell them they're somewhere else, but don't bother explaining that we don't kiss strangers like that here. --- Yes. you can tell I double dated with a couple from NYC, once. If it had been a blind date, I would have been hard pressed to tell you which one was my date.
Page generated Aug. 19th, 2025 06:00 pm
Powered by Dreamwidth Studios